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Concert Review: Josh Sinton's Ideal Bread at Cornelia Street Café

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Ideal Bread Josh Sinton Tribute to Steve LacyCourtesy of Ideal Bread
Josh Sinton, a baritone saxophonist based in Brooklyn, New York, led his band Ideal Bread in a concert at the Cornelia Street Café on December 15th of 2010. Sinton, a former student of Steve Lacy’s at the New England Conservatory, formed Ideal Bread to explore Lacy’s unique and prolific career as a composer and soprano saxophonist. The band consists of Sinton on baritone saxophone, Kirk Knuffke on cornet, Tomas Fujiwara on drums, and Reuben Radding on bass.

Although he wrote music ranging from straight-ahead jazz to intensely abstract music, Lacy is often considered strange by the uninitiated. However, throughout Ideal Bread’s performance, Sinton emphasized the warm and earnest side of Lacy’s personality. Lacy, who addressed all his pieces to friends, teachers and other inspirations, even went so far as to paste pictures of people into the scores dedicated to them. For each song performed, Sinton revealed the story behind the person to whom the piece was dedicated, and read the poems on which some of the pieces were based to broaden the portrait of Lacy and his inspirations.

Although Ideal Bread is dedicated to the performance of Steve Lacy’s music, no one in the band plays the soprano saxophone, and no attempt is made to recreate Lacy’s unique approach to performing. In these ways, and many others, Ideal Bread goes beyond mere reiteration and truly reinvents the repertoire. The group played with a clear and coherent collective sound through sensitive interaction, and deep familiarity with the music and with each other that is undoubtedly a result of this band’s five years of work together.

Sinton describes the group’s cohesive sound as an “intentional aspiration… based on my experience of Steve Lacy's music: his live playing and his recordings of jazz repertoire including Monk, Nichols and Ellington. Steve described himself as a 'materialist' which I've taken to mean that he's most interested in the actual stuff of a song: quite simply, the pitches, rhythms and harmonies.“

Part of Ideal Bread’s success is the creative yet simple variation with which all the pieces are arranged: a quartet became a solo, then a duo or trio, a process that kept each tune moving in its own direction. The harsh and unapologetic dissonance and repetitiveness of many of Lacy’s melodies were rendered beautifully by the group’s front line of Sinton and cornetist Kirk Knuffke. The darkness of each player’s sound turned what might be harsh sounds in other hands to moving, shimmering timbres. One piece found the melody line harmonized in half steps throughout the piece, the two horns blending into one big, fuzzy sound that was larger than the sum of its parts.

Ideal Bread’s second album Transmit: Volume Two of the Music of Steve Lacy (Cuneiform Records, 2010), extends the band’s portrait of Lacy. The album’s title is drawn from a conversation Sinton had with Lacy shortly before he died. Lacy said that his music, and all music, was a process of “spiritual transmission.” What did Lacy mean by this? “I'm still wrestling with that one,” Sinton said, “but I do know that if all we are composed of is vibrations, and music is just a matter of vibrating air, then perhaps in this intentional creation of vibration we're transmitting a bit of Steve himself.”

For a musician so often associated with an intensely intellectual approach to music, Ideal Bread’s playing of Lacy’s music gives it a warm, personal quality made even more apparent in live performance. Ideal Bread, and Transmit are both highly recommended for anyone interested in Steve Lacy’s music, and even those who are not. The band’s unique versions of this seldom-heard repertoire will be refreshing for any jazz fan.

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