A review of Diana Krall's concert at Pikes Peak Center, Colorado Springs, CO, September 25, 2013
A review of Orrin Evans's performance at Jimmy Mak's, Portland
A review of Natalie Cressman's performance at Camellia Lounge, Portland
A review of George Benson's Inspiration, A Tribute To Nat King Cole
A review of Bill Evans - How My Hearts Sings
A review of Yellowjackets' A Rise In The Road
A review of Terence Blancard's Magnetic
Jonathan Lindhorst reviews the third night of the 2012 Undead Music Festival, which featured a night of improvised music at Seeds::Brooklyn.
Douglas Detrick reviews vocalist Maria Neckam's album 'Unison'
A review of 'Hear in Now,' the album by the string trio of the same name.
A review of 'Carrera' by Guillermo Klein y Los Guachos.
A review of bassist Eivind Opsvik's 'Overseas IV'
A review of Kneebody's residency at Littlefield in Brooklyn, April 11 - 15, 2012.
A review of 'All Our Reasons' by the quartet led by drummer Billy Hart.
A review of 'Nancy Wilson & Cannonball Adderley,' the classic jazz album that perfectly blends jazz vocals and improvised saxophone.
A review of Kris Davis' solo piano album, 'Aeriol Piano.'
Theo Bleckmann sings the music of Kate Bush.
A review of the eponymous album by saxophonist Tim Berne's group, Snakeoil.
A review of pianist Kris Davis' set at the Jazz Gallery on February 16th, 2012
A review of Harold O'Neal's solo piano album, 'Marvelous Fantasy.'
A review of saxophonist Jeremy Udden's 'If the Past Seems So Bright' with his group Plainville.
A review of 'Polylemma,' an album by Joe Herteinstein, Thomas Heberer, Joachim Badenhorst, and Pascal Niggenkemper.
A review of bassist Zack Lober's Ancestry Project at the IBeam performance space in Brooklyn.
A review of saxophonist Ben Wendel's album 'Frame.'
A review of 'Acrobat: Music For and By Dmitri Shostakovich' by bassist Michael Bates.